An important client visits the law offices of Hopkins & Delaney LLP to discuss his copyright infringement suit.

Pretty Boy Delaney is a 26-year-old former boxing prodigy now battling a relentless fentanyl addiction on the streets of Skid Row – territory ruled by the cold and calculating Shannon – after settling in California with his older brother John. Estranged from his daughter, Delaney encounters compassionate outreach worker Emma and boxing coach Berne, and is offered one last fight.

Young and feisty Gilly Hopkins devises a scheme to escape from her new foster home and reunite with her birth mother.

Hopkins’ career has spanned several decades, which is why we will also use many interviews that he gave throughout his life, allowing us to put him back into the context of each period and will be helpful in understanding his role in the history of cinema, because he was far from following the trends. He never belonged to any film movement; he is a chameleon that has always preferred natural acting, ‘non-acting’ when method acting was the fashion.